District 1
Audition Music Lists
District 1
EAST Honors Jazz Festival
Audition
Materials from the appropriate “Jazz Conceptions” by Jim Snidero
(see below)
Auditions
on Wednesday, October 13 at Shady Side Academy starting at 5:00 p.m.
(Director’s meeting at 4:30 p.m.)
Jazz Festival East
will be
held December 10-11 at Shady Side Academy
(Stan Nevola, host)
|
Instrument |
2010-11 |
2011-12 |
2012-13 |
2013-14 |
|
Alto Sax |
Friends |
Lunar |
Bird Blues |
IND Line |
|
Tenor Sax |
Lunar |
Bird Blues |
IND Line |
Friends |
|
Bari Sax |
Bird Blues |
IND Line |
Friends |
Lunar |
|
Trumpet |
Passage |
Two Plus Two |
Rose |
Tunisia |
|
Tenor Trombone |
Autumn |
Proxy |
Father’s Song |
Blue Minor |
|
Bass Trombone |
Grease |
Miles |
Autumn |
Groove Blues |
|
Piano and Vibes |
Joe’s Thing |
A Doll |
Blue Minor |
Proxy |
|
Guitar |
Joe’s Thing |
A Doll |
Blue Minor |
Proxy |
|
Bass Guitar |
Joe’s Thing |
A Doll |
Blue Minor |
Proxy |
|
Drums |
Joe’s Thing |
A Doll |
Blue Minor |
Proxy |
|
Vocal |
Joe’s Thing |
A Doll |
Blue Minor |
Proxy |
ALL students (including VOCALISTS)(except Drum Set) will be asked to improvise 2 choruses of the B-flat Blues as published in the Jamey Aebersold, Vol.2 “Nothing But The Blues”, Track 5, “Fast B-flat Blues”.
Lead Trumpet
will perform assigned excerpt in addition to the required audition piece.
Bass Trombone
will use Bass Trombone Book.
Piano –
Use regular
piano book not the “comping” book. Play written part for Intro & Chorus 1,
changes only for Chorus 2
Guitar
– Play written part for Intro and Chorus 1, changes only for Chorus 2.
Bass/Bass
Guitar –
Use the “Bass Line Book.” Play written part for Intro and Chorus 1;
improvise bass line over changes for chorus 2.
Vibes
– audition using regular piano book playing the right hand part. Play
written part for Intro and chorus 1; Changes only for chorus 2
Drum Set
– Play entire tune as written. Drummers will also be asked to improvise
style changes
Vocalists
– Will also need to improvise using “scat” syllables
District 1 WEST Honors Jazz Festival
NO HOST = NO FESTIVAL
Improvisation will be taken from the
Jamey Aebersold Vol. 2 “Nothing But the Blues,”
Track 5 Fast B-Flat Blues.
will be used for all instruments except drum set:
2010
Friends (Altos use Passage)
2011 Two Plus Two
2012 Lunar
2013 IND Line
Bass Guitar—Use
the “Bass Lines” book
Piano—Use
regular not “comping” book
Bass Trombone—Use
Bass Trombone book
Rhythm Section:
Play
written part for Intro & Chorus 1 and changes only for Chorus 2.
Drums should be prepared to trade fours in any style as defined in
Essential Elements book p. 27
Vibes should audition using the piano book.
AUDITION PLACEMENT PROCEDURES FOR HONORS JAZZ
FESTIVALS
The motion was stated to place pre-selected excerpts for the lead trumpet audition on the PMEA Honors Jazz audition list. The excerpts will be used in a rotating basis. An appointed selection committee of the Honors Jazz East participating directors will select the excerpts.
JAZZ WEST –
Regarding lead trumpet auditions…
The motion was stated to place pre-selected excerpts for the lead trumpet
audition on the PMEA Honors Jazz audition list. The excerpts will be used in
a rotating basis. An appointed selection committee of the Honors Jazz West
participating directors will select the excerpts. The excerpts will then be
previewed by the participating directors at the 2007 festival and then
placed on the PMEA District 1 website. Passed Unanimously
Five trumpets will be selected for each Band. The 5th trumpet will double the Tpt IV part and or any trumpet part at the discretion of the Guest Conductor
Highest scoring Lead trumpet Band 1 Tpt 1
Second highest scoring Lead trumpet Band 2 Tpt 1
Highest scoring trumpet (non-lead) Band 1 Tpt 2
Second highest scoring trumpet (non-lead) Band 2 Tpt 2
Third highest scoring trumpet Band 1 Tpt 3
Fourth highest scoring trumpet Band 2 Tpt 3
Fifth highest scoring trumpet Band 1 Tpt 4
Sixth highest scoring trumpet Band 2 Tpt 4
Seventh highest scoring trumpet Band 1 Tpt 5
Eighth highest scoring trumpet Band 2 Tpt 5
For all
remaining sections the following procedure will be followed:
Highest scoring Alto Sax
Band 1
Chair 1
Second highest scoring Alto Sax
Band 2
Chair 1
Third highest scoring Alto Sax
Band 1
Chair 2
Fourth Highest scoring Alto Sax
Band 2
Chair 2
Highest scoring Tenor Sax
Band 1
Chair 1
Second highest scoring Tenor Sax
Band 2
Chair 1
Third highest scoring Tenor Sax
Band 1
Chair 2
Fourth highest scoring Tenor Sax
Band 2
Chair 2
Highest Scoring Bari Sax
Band 1
Second highest scoring Bari Sax
Band 2
* In the absence of a Bass trombone audition, the fourth trombone book will be taken in regular order.
Selection of vibe, piano, guitar and bass for each band based upon recommendation of the audition committee.
|
AUDITION MUSIC ROTATION |
2010-2011 |
2011-2012 |
2012-2013 |
2013-2014 |
|
PMEA District One Honors String Orchestra Grade Levels = 9PthP through 12Pth Tryouts on September 13 at Plum High School |
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|
Violin |
Sicilienne and
Rigadon
by Kreisler/Foley/Fischer |
Concerto #2 in GM, by Haydn/Kuechler/Peters movement 1, pages 1-2 beginning with solo |
Concerto in a
minor
opus 21 by Reiding/Bosworth |
Concerto in GM
Mozart/ Schirmer, |
|
Viola |
Sonata in e minor
by |
Concerto #2
by Seitz/ |
Concerto in G Major mvt. 2 by Telemann-International/Katims Edition |
Divertimento in
CM
Mozart/Piatigorsky/ |
|
Cello |
Tarantella, Op. 23 by Squire/Fischer (first page until key change) |
Sonata in GM
by |
Suite #1 in G Major mvt. 1 by Bach-Fournier/ International |
Concerto in em
Vivaldi/Dallapiccola- |
|
String Bass |
Gavotte in g minor by Bach/Zimmerman/Fischer |
Sonata in em
by Marcello/ |
L’elephant from Carnival of the Animals by Saint Saëns-Garban/Presser |
30 Etudes for the String Bass, Etude #3 Marciale by F. Simandl/Carl Fischer |
|
PMEA District One Honors Band Grade Levels = 9PthP through 12Pth (and SH District Orchestra Auditions for Wind, Brass and Percussion Grade Levels = 10PthP through 12PthP) Auditions will be on Monday, October 4 at Gateway HS (Director’s Meeting at 4:30, Auditions at 5:15) |
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|
Flute |
Mozart Concerto No. 1, first movement |
Telemann Suite in
A |
Chopin Variations on a Theme byRossini/Rampal |
Bach Sonata V in e minor, mvt. 1 & 2 |
|
Oboe |
Handel Concerto Grosso No. 8, Adagio & Allegro |
Telemann, Sonata in G Minor; Schott |
Concerto g min. #3, mvt. 1 & 2, Handel/Southern |
Mozart Concerto mvt. 1 Either Boosey & Hawkes or Marx edition |
|
Bassoon |
Mozart Concerto, first movement |
Galliard Sonata
#1; |
Adagio & Allegro by Marcello-Merriman/Southern |
Galliard Sonata #5 |
|
E♭/B♭ Clarinet |
Mozart Concerto, third movement |
Adagio &
Tarantella, |
Weber Concertino Op. 26 Begin. To Var. II/Fischer |
Weber Concerto 2 mvt. 1 |
|
Alto/Contralto Clarinet |
Rondo, von Kreisler |
Allegro Spiritoso,
Senaille; |
Hornpipe & Allegro by Galliard/Southern |
Concerto Petite, |
|
Bass/Contrabass Clarinet |
Rondo, von Kreisler |
Adagio & Allegro, |
Sonata in a minor
by |
Ballade,
Eugene Bozza/ |
|
Alto Sax |
Variations on a Gavotte, Corelli/Glaser |
Henri Eccles
Sonata,
|
Sonata #3
by |
Creston Sonata
mvt. 1 |
|
Tenor Sax |
Concerto in g minor, Handel/Voxman |
William Schmidt Sonatina for Tenor and Piano, first mvt; WIM Publishers |
Sonata #3
by |
Saint-Saëns Allegro Appasionata from “Solos for the Tenor Player” |
|
Bari Sax |
Variations on a Theme of Robert Schumann, Wm. Davis/Southern |
Ritual & Celebration, Jared Spears; Southern Music |
Sonata #3
by |
Garland Anderson Sonata mvt. 1, Southern |
|
Trumpet/Cornet
|
The Debutante, Clarke |
Bride of the
Waves, |
From the Shores of the Mighty Pacific, Clarke/Warner |
Napoli, Bellstedt |
|
French Horn |
Morceau de Concert, Saint-Saëns |
Mozart Concerto #3,Mvts. 2 & 3; Cundy Bettoney |
Concerto #1 by Mozart(both mvts.)/Schirmer |
Mozart Concerto 2
in Eb |
|
Baritone/Euphonium |
Andante and
Rondo, |
Tarantella,
|
Mozart Concerto in B♭, K191, Rondo Mvt./Kendor |
From the Shore of
the |
|
Trombone |
Mozart Concerto K 191, first movement |
Galliard Sonata #1, Cantabile & Spiritoso; International |
Concert Piece #5
by |
Marceau
Symphonique, |
||
|
Bass Trombone |
Studies in Legato for Bass Trombone (#30 & 38) by Fink/Fischer |
Concerto in One
Movement,
Lebedev; |
Concertino Basso by Lieb/Carl Fischer |
Melodious Etudes for Bass Trombone (#10 & #19), Ostrander/Fischer |
||
|
Tuba |
Andante and Rondo, Capuzzi/Catelinet |
Serenade #12for Solo Tuba;Persichetti movements 2, 3, 5; Presser/Carl Fischer |
Air & Bouree by Bach-William Bell/Carl Fischer |
Unaccompanied Suite Walter Hartley |
||
|
Snare Drum* |
Modern School for Snare Drumming (pg 64 & 65) 5/4 & 7/4 Etudes, Goldenberg |
Advanced Snare
Drum Studies Etude #17, |
Three Dances
by Warren |
Advanced Snare
Drum |
||
|
Mallets* |
Sonata Allegro, Mitchell Peters |
Hora Staccato, Heifetz/Goldenburg/Carl Fischer/page 1 only |
Concerto a minor
by J.S. Bach/Goldenberg, |
Andante Cantabile, J.C. Bach/Ludwig |
||
|
Timpani* |
Sonata for
Timpani,
J. Beck |
3 Designs for
Timpani, |
Ballad for Dance
by Saul |
Sonata for Timpani, Philip Ramey |
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|
PMEA District One Honors Choir (Fall) Grade Levels = 9PthP through 12Pth Tryouts Monday September 20 at Norwin High School |
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|
All Voices (to be sung in original language) |
Exsultate Deo—Scarlatti |
Cry Aloud by John Ness Beck, Kjos Ed. GC24 |
Blessing Glory and Wisdom—J.S. Bach Peter Tkack —Kjos ED5140 SATB |
It Is Good To Be Merry—Jean Berger—Kjos ED5293 SSAATTBB |
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|
PMEA District One District Chorus (Spring) Grade Levels = 10PthP through 12Pth Tryouts on November 22 at 4:00 p.m., North Allegheny Senior High School |
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|
All Voices |
Glorious
Everlasting – M. Thomas Cousins – Brodt Music Co. No. 504 |
O Clap Your Hands—M. Thomas Cousins—Brodt Music Co. No. 527 SSAATTBB |
How Lovely Is Thy Dwelling Place from Requiem— Brahms—G. Schirmer 50295550 SATB |
Glorious
Everlasting – M. Thomas Cousins – Brodt Music Co. No. 504 |
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publisher and page numbers of music listing.
*** ALL
Honors Band and Honors Orchestra solo editions have been confirmed
to be in print and are available for purchase. ***
PMEA
District 1