PMEA District 1
Serving Allegheny, Fayette, Greene,
Washington & Westmoreland Counties

Advocacy Resources
 

Last Updated: August 22, 2010



April 13, 2010

Dear PLAN member

Today, hundreds of dedicated arts supporters from across the country have come together in Washington, DC for National Arts Advocacy Day, a united effort to tell Capitol Hill how important culture is to our communities, how much arts education means to our children, and how much the arts improve our daily lives.  86
 National CoSponsors have helped us shape this united arts message to Congress.

This year, Arts Advocacy Day will be busier than ever, and not only because of the record number of advocates attending.  Americans for the Arts has once again been asked by the House Interior Appropriations Subcommittee (Chairman Jim Moran, D-VA) to organize a hearing on the arts on Arts Advocacy Day.  We are very pleased that our President & CEORobert Lynch will be joined by several other national leaders in the arts, including Emmy-nominated actor Jeff Daniels, Golden Globe winner Kyle MacLachlan, Philadelphia Mayor Michael Nutter, CEO of Ovation TV Charles Segars, Brigadier General Nolen Bivens (ret.) and local arts leader Terri Aldrich to testify at the hearing.  The Subcommittee is expected to webcast the hearing live starting at 10:30 a.m. Eastern Time.  A link to the webcast can be found on the 
House Appropriations Committee website

Even if you’re not able to go to Washington, you can still participate in Arts Advocacy Day by asking your Members of Congress to support the arts. By visiting the American for the Arts 
E-Advocacy Center, you’ll be able to send a message directly to your Representative and Senators telling them why the arts are important to you and your community. They have provided bullet points covering eleven key Arts Advocacy Day issues, which you can use in the sample letter that has been drafted for you. We also encourage you to write your own unique story to illustrate the importance of the arts to your community. Using the E-Advocacy Center, you can create and send your letter to Congress in less than two minutes. We urge you to send your message to Congress today to coincide with office visits to the Hill.  Go to http://www.capwiz.com/artsusa/issues/alert/?alertid=9482296&type=CO to send your message.

If you also "Tweet" please check my latest twitter posting and be sure to retweet it!


 

Press Release: MENC Announces New Executive Director

Michael A. Butera is New Executive Director of MENC: The National Association for Music Education

RESTON, VA (April 9, 2010) – MENC: The National Association for Music Education today announced the appointment of Michael A. Butera, a seasoned association executive and former public school music teacher, as its new executive director.

According to Scott C. Shuler, MENC president-elect and co-chair of the MENC Executive Director Search Committee, Butera brings “extensive experience building educator organizations in a number of states; considerable experience as a legislative advocate and registered federal lobbyist; expertise in refining and implementing effective strategic plans; and a fresh perspective and creative ideas regarding how MENC can improve its service to members and state organizations.”

“MENC has undergone some major changes over the past few years in governance, conference structure and communication,” said Barbara Geer, MENC’s national president. “Michael Butera is a person who comes to us with vision and detailed new ideas. These characteristics certainly have the potential to raise the bar for our organization in ways that will be beneficial to all of our membership.”

“I am looking forward to being a part of the MENC family,” said Butera. “The power and beauty of music is fundamental to a well-rounded education for every student. I celebrate the many accomplishments of MENC and its state affiliates in a time when the challenges are so great. Together our leadership will foster new gains in best practices, research and advocacy. I believe that partnering with the state affiliates, our many constituencies and arts coalitions will bring us to new levels of member engagement from prekindergarten through graduate school.”

He added, “While today’s challenges are great, there is no better organization to fight for the cause of music education and educators than MENC.”

Michael A. Butera is a former music teacher whose career path led him to numerous leadership roles at the state and national levels. After years of dedicated service to teachers of all subjects, becoming MENC’s executive director marks a return to his roots, working to support music teachers and their young musicians. He has served as the state executive director in three National Education Association state affiliates: Maine, Maryland and Wisconsin. Recently he left NEA’s national office where he served as the Northeast Regional Director, an area covering nine NE state affiliates. Before that assignment, he managed the Western States Government Relations Team which covers all states west of the Mississippi River. He also served in various association positions in NEA affiliates in Pennsylvania, Illinois and Oklahoma.

Butera began his career as a public school music teacher in Munhall, Pennsylvania, teaching instrumental music in the entire system and directing high school band. He is a graduate of Duquesne University with a degree in Music Education. His primary instrument was the clarinet, which he studied under Nestor Koval.

During his career he has served as President of the National Council of State Education Associations, chaired NEA’s Technology Compact Committee, was Treasurer of the Great Lakes Center for Education Research and Practice and a member of the Board of Directors’ of the Member Benefits Corporation, a for-profit entity of the NEA.

Butera has extensive experience in government relations. He served on the Economic Development Transition Team of Maryland Governor Glendening and as a gubernatorial appointee to the Maryland Task Force on School Funding, Accountability and Partnerships. He also served on Wisconsin Governor Doyle’s Job Creation and Economic Development Transition Team.

MENC retained a professional executive search firm, Association Strategies, Inc., to assist in the process of determining its first new executive director in more than 27 years. Nearly 100 applicants were initially considered. Candidates were then screened through two telephone interviews, a live interview with the search firm, a live interview with the MENC Executive Director Search Committee, and last, a live interview with the members of MENC’s National Executive Board, who made the final selection.

The MENC Executive Director Search Committee was comprised of MENC members representing all MENC divisions and teaching levels, including state presidents and managers. The members were:

  • Scott C. Shuler, Connecticut Department of Education – MENC National President-Elect (co-chair of committee)
  • Paul Lehman, University of Michigan emeritus – MENC National Past President (co-chair of committee)
  • Ron Meers – Immediate Past President, Tennessee Music Educators Association
  • Cristi Miller – President, Oklahoma Music Educators Association
  • Steven Schopp – Executive Director, New York State School Music Association; Past President, NYSSMA and MENC Eastern Division
  • Betty Ellis – Past President, Alaska Music Educators Association and MENC Northwest Division
  • Martha O’Neill – President, MENC Western Division; Past President, Nevada Music Educators Association
  • Pamela Kaul, President, Association Strategies, Inc. (non-voting advisor)
  • James Zaniello, Vice President, Association Strategies, Inc. (non-voting advisor)
     

The following are comments of members of the search committee and the MENC National Executive Board on the selection of Michael Butera. To read additional comments and view his full biography, visit www.menc.org.

  • “Michael Butera began as a music educator but has made his career in the field of association management, where he has demonstrated a truly impressive array of skills and knowledge that will serve MENC very well in meeting the challenges that lie ahead.” -- Paul Lehman, MENC Past National President; co-chair of search committee
     
  • “Michael Butera brings expertise to MENC that will allow us as an organization to take a fresh look at how we can best support music educators and the students we serve.” -- Craig Welle, MENC Southern Division President
     
  • “Michael Butera brings his vast and varied experience to MENC at a time when we face some new and unique challenges. His strong background in negotiation and problem solving should serve us well.” -- Steven E. Schopp, Executive Director, NYSSMA--New York State School Music Association; MENC search committee member
     
  • “Michael Butera is the epitome of ‘thinking outside the box’ -- exploring refreshing strategies that will ensure the success of MENC's mission and goals.” -- Betty Ellis, MENC search committee member
     
  • “I found Michael Butera to be direct, yet sensitive to those he spoke with. He is a sincere, intensely interested, thorough individual. I believe he exhibits the qualities necessary to lead MENC and all its members into a full leadership position in the 21st century. His knowledge of MENC is astounding -- he did an incredible amount of research about all our states, for example, and I believe this approach to leadership will benefit all our members. Data collection is another one of his strengths and I know we can all appreciate how this will help him as he begins the difficult task of leading MENC when our country is in this terrible financial crisis.” -- Martha Damon O'Neill, Reno, NV, MENC Western Division President; MENC search committee member
     
  • “The three issues that members are most concerned about are areas of strength in our new executive director: the ability to reach out to rank and file members and state leaders; expert, experienced skills with national advocacy imperatives; and the connections to make his voice heard.” -- Jeffrey E. Bush, MENC Western Division President-Elect
     
  • “I was impressed that he had researched MENC so thoroughly. He had a very strong grasp of our entire association and the complexities associated with it. He knows teaching and performing music.” -- Lynn Brinckmeyer, MENC Immediate Past National President
     
  • “I found Mr. Butera to be very organized, perceptive, and personable. He is a leader with vision and an entrepreneurial spirit!” -- Ron Meers, MENC search committee member
     
  • “I was impressed with his experience, knowledge, and understanding of state level associations and their relationships to a strong national office.” -- David Neves, MENC Eastern Division Immediate Past President
     
  • “Michael Butera is a ‘detail’ person. His special attention to every aspect of MENC will obviously make him an incredible leader in our organization.” -- Cristi Miller, MENC search committee member
     
  • “Mr. Butera is a person whose attention to details, skillful questioning techniques, and political savvy will help MENC realize many objectives in its strategic plan.” -- Glenn Nierman, MENC North Central Division President
     

Butera is currently working with senior staff and officers to better understand MENC’s structure and national organization. He assumes full-time duties on May 1.
 

MENC: The National Association for Music Education, among the world's largest arts education organizations, marked its centennial in 2007 as the only association that addresses all aspects of music education. Through membership of more than 75,000 active, retired, and pre-service music teachers, and with 60,000 honor students and supporters, MENC serves millions of students nationwide through activities at all teaching levels, from preschool to graduate school. MENC's mission is to advance music education by encouraging the study and making of music by all. Since 1907, MENC has worked to ensure that every student has access to a well-balanced, comprehensive, and high-quality program of music instruction taught by qualified teachers. MENC's activities and resources have been largely responsible for the establishment of music education as a profession, for the promotion and guidance of music study as an integral part of the school curriculum, and for the development of the National Standards for Arts Education. MENC is located at the National Center for Music Education in Reston, VA.


Sent to PLAN Network: 2/8/09
ALERT: Stimulus Bill


Editor's Note: As you can tell by the barrage of emails I am sending you, this  is a particularly important time for music advocates to be active!  Budget decisions are being rapidly made that will have significant impact on the arts at the state and local levels.  Please schedule in a few minutes of your time this week to TAKE ACTION.  It may be too late to make a difference by next weekend! - -  RV

_ _ _ 
 
On Friday night, both Pennsylvania Senators Bob Casey and Arlen Specter voted for removing arts funding in the economic recovery package being considered by the U.S. Senate. The bill, titled the American Recovery and Reinvestment Act, will go to a conference committee because the Senate bill is different from the House bill (for example, the House bill includes $50 million for the National Endowment for the Arts). It is important that you contact Senators Casey and Specter to let me know that you were disappointed with their vote and to ask them why they didn't feel that the arts were worthy of help during this economic downturn. 

Americans for the Arts has created an easy way to contact the Senators by developing a letter template with easily inserted talking points. It would be also helpful to include personal testimony as to how the arts have helped improve your community. You can access that link by visiting http://artsusa.org/news/afta_news/default.asp#item6 and clicking on the link that asks you to contact your members of Congress.

Americans for the Arts has also included information for contacting your local news media.

 

Sent to PLAN Network: 2/7/09
ALERT: "Save the Govies"

There is an online petition where you can join thousands of Pennsylvanians who are protesting against the Elimination of the Pennsylvania Governor's Schools of Excellence.
 

As a general rule, petitions like this are not generally effective in the political process because they do not bring pressure on the individual politicians as do letters from their local constituents. However, petitions can be an effective public relations / public awareness tool if it generates a newsworthy number of signatures (10,000 or more) AND that information gets sent to the media.

If you are interested in helping to save the Governor's School for the Arts please consider signing this petition IN ADDITION to the letters you send to your local state representative and senator.


Sent to PLAN Network: 2/4/09
More on Funding for Governor's Schools

EDITOR'S NOTE:  The next issue of the PMEA News will carry my article about using Facebook as an advocacy tool.  What is happening right now with the Governor's School is an excellent example of the advocacy potential of this networking utility.  Those of you on facebook are encouraged to check out the "Save the Govies"  group site:

http://www.new.facebook.com/group.php?gid=52231761581

Membership has grown to nearly 2000 people in just a few days!
 
Below is a reprint of an article that appeared in a number of papers this morning:
 
* * *

Funding dropped for Governor's Schools
By Bill Schackner
PITTSBURGH POST-GAZETTE
 
The state budget crisis may mean the end of a decades-old program that provided some of the state's most promising high school students intensive summer study in the arts and sciences, all free of charge.
 
Officials with the Rendell administration say next year's proposed state budget, to be presented in Harrisburg today, does not include funding for the Pennsylvania Governor's Schools of Excellence.

Founded in 1973, the program's 19,000 alumni have left their marks in fields from medicine to entertainment, and they include notable figures such as Pulitzer Prize-winning composer Aaron J. Kernis, actor Kevin Bacon and best-selling author Alice Sebold.
 
Selected from a highly competitive process similar to applying for college, the students spend five weeks at one of the program's eight schools. Each school specializes in an area of study and is hosted on a college campus.

Tuition, room and board are covered by the program, which costs the state $3.2 million.

Spokesman Chuck Ardo said Rendell does not dispute the program's value but said the recession and state deficit are pitting many worthy programs against vital human services.

"There are programs, no matter how dear to the heart of the governor, that just can't be rationalized in this economy," Ardo said. "Clearly our budget priorities need to fall on the side of necessary human services."

Saying it's unlikely that another source of funding will be found, Ardo said the program is dead at least for now. He said the governor would like to see it reinstated once the economy improves.

The eight Governor's Schools and their host campuses are: agricultural sciences, Pennsylvania State University; arts, Mercyhurst College; global entrepreneurship, Lehigh University; health care, the University of Pittsburgh; information, society and technology, Drexel University; international studies, University of Pittsburgh; sciences, Carnegie Mellon University; and teaching, Millersville University.

Collectively, the schools receive anywhere from 3,600 to 4,100 applicants for the 752 seats available.

Officials with some of the schools said yesterday that they found it hard to believe the program was being discontinued as the state and nation face growing pressure to train skilled workers.

"It's shocking and very shortsighted in an age when the United States is falling behind in the global marketplace," said Barry Luokkala, program director of the Governor's School for Sciences. Luokkala, a physics professor at Carnegie Mellon, said he's received scores of e-mails from outraged alumni as word began trickling out that the program's funding was in jeopardy.

Douglas Woods, program director of the school for arts, said students at Mercyhurst are trained not only as future performers and audience members, but also are shown the importance of advocating for the arts and of being participatory citizens.

"That might be the most important thing we do," he said.

 

Sent to PLAN Network: 2/2/09
Governor's School for the Arts

PLAN ACTION ALERT: Governor’s Schools
 
On February 4th, 2009, Governor Rendell will announce a proposed budget that will include, among many other things, cutting the Pennsylvania Governor's Schools of Excellence.  (Not just the Arts school - all of them!) He is proposing to eliminate 100 budget line items, that will also include D.A.R.E, the Drug Abuse Resistance Education, a program in which police officers go into classrooms to persuade young people to avoid drugs.
 
It’s important to know that the budget cuts will NOT be finalized on February 4. Far from it!  The announcement of the proposed budget will just be the start of a lengthy budget process - a process that will most likely continue until late June before anything becomes final. That gives interested people plenty of time to organize a campaign to save this funding.
 
Although it may feel good to vent . . . writing Rendell is not the most effective course of action. His part of the process is submitting a budget that he feels reflects the need of the commonwealth to reduce spending and then letting the public and legislature react! There is really no political fallout for Rendell at the ballot box. It's good to copy a letter to him - but letters really need to go to the people you will vote for (or against) in the next election to be effective.
Therefore, the best action is to contact the representatives and senators who must eventually vote on this proposed budget - and whose ultimate re-election is determined by the support they receive at the local level. To save the Governor’s Schools supporters must demonstrate to the decision makers that a majority of voters support this specific program and would not be happy if this program was cut.
 
Talking points should emphasize that this program is more than a summer camp.  Most effective will be stories of how alumni of these schools “gave back” to their home communities through service projects, volunteerism, and community leadership.  In other words, supporters will need to show that the potential loss to the commonwealth in valuable services will be equal or greater than the immediate dollar savings to the budget.

Additional emails will follow on this subject with detailed action steps.

Please send me your stories, links to online articles, and any other information that you feel would be helpful to share with the PLAN membership.


 

Sent to PLAN Network: 1/24/09
09-10 School Budgets

Dear PLAN subscriber,

Last month I sent out an email requesting your help in determining the effect of the current economy on the Music education programs in Pennsylvania as reflected in the 09-10 budget preparation process.

January 29 is the deadline for school districts to either make their 2009-2010 proposed preliminary budget available for public inspection or adopt a resolution indicating that they will not raise the rate of any tax by more than its index.

What I have learned is that very few school districts have developed a proposed preliminary 09-10 budget.  Most are planning to adopt the resolution indicating they will NOT raise taxes above the index.  The index this year ranges from the base low of 4.1 percent for the wealthiest districts - many of which are found in suburban Philadelphia and Pittsburgh counties - to a high of 6.7 percent for the Duquesne City and Reading school districts.  

The complete listing can be downloaded from the PDE web site at:
http://www.pde.state.pa.us/proptax/lib/proptax/SDAdjIndex_2009-2010.pdf 
 

This means that school districts have until May 31 to adopt their 2009-2010 proposed final budget and to June 30 to officially adopt that budget.  Therefore, decisions regarding possible reductions in budget allocations, staff, program, and activities can wait until the spring.  I recommend you use this time to be PROACTIVE.  Find out who the decision makers are in your district and when they are planning to make these types of decisions.  Then try to influence these decisions BEFORE they are made.

Please keep PMEA updated by informing me of any proposed reductions in the music program in your district.

* * *
Richard Victor
Advocacy Chairperson, Pennsylvania Music Educators Association (PMEA)
Voice: (814) 466-6768

 


Sent to PLAN Network: 12/14/08
09-10 School Budgets

Dear PLAN member,

I would like your help in determining the effect of the current economy on the Music education programs in Pennsylvania.
 
Your school or school district should be in the final stage of developing a proposed budget for the 2009-2010 school year.  If that proposed budget includes any reduction in spending for the music program, then please respond to this email with a brief description of proposed cuts in the following categories:
 
* * *
Proposed cuts in budget for the music department: (approximate percentage or dollar figure)
Proposed cuts in staffing:  (Not replacing retirements, possible lay-offs, etc)
Proposed reduction in curricular program:  (Not offering courses, reducing class meeting times, etc)
Proposed reduction in Co-Curricular or Extra-Curricular activities:  (No longer offering activity, reduction in budget for activity, etc)
 
 * * *
Are similar reductions being proposed in other curricular and extra-curricular activities?
Are there any reductions proposed for the remainder of this school year?  (Budget freeze, field trip moratorium, etc)
Is there anything else that PMEA should know that will give us an accurate picture regarding the effect of the current economy on Music Education programs?
 
* * *
THANK YOU for taking the time to respond to this brief survey.  Your input will be most valuable!
 
Richard Victor
Advocacy Chairperson, Pennsylvania Music Educators Association (PMEA)
Voice: (814) 466-6768

 

Sent to PLAN Network: 9/21/08
Act 1 Index Drives 09-10 Budget

 

It's the start of fall and the school year is a few weeks old.  That means It's already time to start budget preparations for the 2009-2010 school year!

The Pennsylvania Department of Education has released the Act 1 index, which is used to determine the maximum tax increase a school district may levy without going to voter approval.  Since no school district is likely to exceed that index, those figures will be used by your administration to develop their 09-10 budget.  Work on that budget must begin NOW in order to meet the state deadlines.  Start thinking about your budget requests for next school year soon!

The index this year ranges from the base low of 4.1 percent for the wealthiest districts - many of which are found in suburban Philadelphia and Pittsburgh counties - to a high of 6.7 percent for the Duquesne City and Reading school districts.  That represents a slight decrease in percentage over last year.  

The complete listing can be downloaded from the PDE web site at: 
http://www.pde.state.pa.us/proptax/lib/proptax/SDAdjIndex_2009-2010.pdf

January 29th is the deadline by which a school board must make their FY2009-10 proposed preliminary budget available for public inspection or they may adopt a resolution indicating that they won’t raise taxes above the index no later than January 29, 2009. 

* * *

Richard Victor
Advocacy Chairperson, Pennsylvania Music Educators Association (PMEA)



Sent to PLAN Network: 4/3/08
PMEA/PLAN in Support Music Spotlight

PMEA is currently featured on the home page of www.supportmusic.com


If you have never visited this site . . . now is the time!  It is the web site I regularly recommend to PMEA members to find relevant advocacy materials and is the best source for information and advice for dealing with a music education crisis in the schools.

I encourage all of you to familiarize yourself with this valuable resource.
 
* * *
 
Richard Victor

Advocacy Chairperson, Pennsylvania Music Educators Association (PMEA)
Voice: (814) 466-6768

 


Sent to PLAN Network: 4/1/08
National Arts Advocacy Day

Today, hundreds of dedicated arts supporters from across the country have come together in Washington, DC for National Arts Advocacy Day, a united effort to tell Capitol Hill how important culture is to our communities, how much arts education means to our children, and how much the arts improve our daily lives. 87 National CoSponsors have helped shape this united arts message to Congress.

For the second consecutive year, the House Interior Appropriations Subcommittee will hold a hearing on the arts in conjunction with Arts Advocacy Day.  Chairman Norm Dicks (D-WA) has again asked Americans for the Arts to exclusively assemble a national panel that will highlight the contributions the arts provide for our country.  We are very pleased that the President & CEO Robert Lynch will be joined by several other national leaders in the arts, including actor/director Robert Redford and musician John Legend, to testify at the hearing.

Even if you’re not able to go to Washington, you can still participate in Arts Advocacy Day by asking your Members of Congress to support the arts. By visiting the Americans for the Arts E-Advocacy Center ( www.capwiz.com/artsusa/issues/alert/?alertid=9482296) you’ll be able to send a message directly to your Representative and Senators telling them why the arts are important to you and your community. They have provided bullet points covering eleven key Arts Advocacy Day issues, which you can use in the sample letter that they have drafted for you. We also encourage you to write your own unique story to illustrate the importance of the arts to your community. Using the E-Advocacy Center, you can create and send your letter to Congress in less than two minutes. We urge you to send your message to Congress today to coincide with our office visits to the Hill.

Last year advocates sent out over 4,300 messages to 445 Capitol Hill offices within hours, greatly increasing the visibility of the arts supporters visiting with their Members that day! We hope to have that kind of impact again this year.

Thank you for your continued support of the arts!

* * *

Richard Victor

Advocacy Chairperson, Pennsylvania Music Educators Association (PMEA)
Voice: (814) 466-6768

 


Sent to Membership: 3/13/08

Creativity Jazzes Your Brain

 

EDITOR'S NOTE:  A number of PLAN network members sent this to me today to pass on to our membership.  One more reason why music (and including the National Standard on improvisation) is so important in the school curriculum! . . . RV

Study: Creativity Jazzes Your Brain
By LAURAN NEERGAARD, AP


WASHINGTON — Scientists inspired by the legendary improv of Miles Davis and John Coltrane are peering inside the brains of today's jazz musicians to learn where creativity comes from. Think dreaming.

This isn't just a curiosity for jazz fans but a bold experiment in the neuroscience of music, a field that's booming as researchers realize that music illuminates how the brain works. How we play and hear music provides a window into most everyday cognitive functions — from attention to emotion to memory — that in turn may help find treatments for brain disorders.

Creativity, though, has long been deemed too elusive to measure. Saxophonist-turned-hearing specialist Dr. Charles Limb thought jazz improvisation provided a perfect tool to do so — by comparing what happens in trained musicians' brains when they play by memory and when they riff.

"It's one thing to come up with a ditty. It's another thing entirely to come up with a masterpiece, an hourlong idea after idea," explains Limb, a Johns Hopkins University otolaryngologist whose ultimate goal is to help the deaf not only hear but hear music.

How do you watch a brain on jazz? Inside an MRI scanner that measures changes in oxygen use by different brain regions as they perform different tasks.

You can't play trumpet or sax inside the giant magnet that is an MRI machine. So Limb and Dr. Allen Braun at the National Institutes of Health hired a company to make a special plastic keyboard that would fit inside the cramped MRI with no metal to bother the magnet.

Then they put six professional jazz pianists inside to measure brain activity while they played straight and when they improvised. They played, right-handed, both a simple C scale and a blues tune that Limb wrote, appropriately titled "Magnetism." Through earphones, they listened to a prerecorded jazz quartet accompaniment, to simulate a real gig.

Getting creative uses the same brain circuitry that Braun has measured during dreaming: First, inhibition switched off. The scientists watched a brain region responsible for that self-monitoring, the dorsolateral prefrontal cortex, shut down.

Then self-expression switched on. A smaller area called the medial prefrontal cortex fired up, a key finding as Braun's earlier research on how language forms linked that region to autobiographical storytelling. And jazz improvisation produces such individual styles that it's often described as telling your own musical story.

More intriguing, the musicians also showed heightened sensory awareness. Regions involved with touch, hearing and sight revved up during improv even though no one touched or saw anything different, and the only new sounds were the ones they created.

That doesn't necessarily mean this is the center of creativity. The brains of highly trained musicians might work differently than an amateur pianist's, or a painter's, or a writer's, something Limb and Braun hope to test next.

"We're all creative every day. Are our brains doing the same things?" asks Braun, who studies the relationship of language and music at NIH's National Institute on Deafness and Other Communication Disorders.

The study's biggest significance isn't what it found but that it could be performed at all, opening new avenues of brain research.

"Improvisation always has a sort of magical quality associated with it. People think when you're improvising you have some sort of inspiration that's not measurable," says Dr. Robert Zatorre of the Montreal Neurological Institute, a pioneer in the neuroscience of music and himself a classical organist. "They went forward where everyone else feared to tread."

Neuroscientists call the brain plastic, meaning it has remarkable flexibility to rewire itself. Unraveling how those circuits get modified in turn helps researchers hunt treatments for brain disorders — and the same circuits that process music show strong relationships with other key brain regions. Studies show that patients learning to speak again after a stroke may improve faster if they sing rather than recite, for example. Zatorre's team is finding parallels between tone-deafness and the reading disability dyslexia.

"What we're doing is not necessarily trying to say, 'Well, if we use music it will help Parkinson's patients walk.' It might, yes, and there is some evidence it does so," says Zatorre, whose institute this summer hosts an international conference on music and the brain.

Instead, the quest is to "understand the rules by which the brain changes its organization. That's what we need to know," he adds.

Creativity comes in because its root is the spontaneity that defines everyday life. Consider conversation: Hopkins' Limb wants to image the brains of jazz musicians "trading fours," where one improvises four bars and the next answers back with four new bars — a musical conversation he believes comparable to the talking kind.

And no, Limb doesn't think he's diminishing the magic of music by finding its cerebral underpinnings.

"It's like knowing how an airplane flies. It's still pretty magical."

* * * *
SOURCE: AP wire service
* * *
Richard Victor
Advocacy Chairperson, Pennsylvania Music Educators Association (PMEA)
Voice: (814) 466-6768
 


Sent to Membership: 2/18/08
Time to Put the Candidates to the Test

EDITOR'S NOTE: The latest NEWSWEEK magazine published the following article summarizing the positions of the remaining four presidential candidates.  Although we certainly can argue with both the premise used and the conclusions reached by the "experts" consulted by Newsweek in this story, the concise summary of the candidates positions on NCLB, School Choice, and teacher performance pay may be useful in helping you decide who to support in the upcoming Pennsylvania primary.  As a personal observation . . . I find it both interesting and somewhat infuriating that the only candidate to specifically mention the importance of music and the arts got the lowest grade from this panel! - - -RV

* * *
Time to Put the Candidates to the Test

By Peg Tyre
NEWSWEEK
 

In this primary season, one major issue has been all but missing in action: education. Most experts agree that No Child Left Behind, President Bush's plan for closing the achievement gap between rich and poor kids, is a noble effort. But it has serious downsides. It punishes struggling schools, turns classes into test-prep factories and has caused some states to lower, not raise, standards. How will the next president fix it? NEWSWEEK asked two experts, the Education Sector's Thomas Toch and Jeanne Allen, chief of the Center for Education Reform, to evaluate each candidate's plan. Then we assigned grades.

Clinton 
The Stance : She has Bill bashing NCLB on the campaign trail but also pushed for more federal money to help schools give higher-quality tests. Would track every student in every grade. Wants more money for early-childhood education.

The Reality Check: Allen say she's currying favor with the largely Democratic teacher's unions, who hate the rigid NCLB, while still backing accountability. Toch says look for her to warm up to the idea of performance pay if she's the nominee.

Grade B-

* * *

Obama 
The Stance : Wants the federal government to measure skills such as conducting research, defending ideas and solving problems. Wants schools to use test data to help shape lessons. Favors performance pay for teachers.

The Reality Check: Well intentioned, but Allen warns that the skills he likes are hard to test statewide. Toch applauds efforts to test kids on thinking, not regurgitation. Performance pay, he warns, is easy to talk about but hard to execute.

Grade  B+

* * *

McCain 
The Stance : Likes NCLB but wants to change the tone: support, not confront, failing schools. He'd revamp Head Start and improve rates of high-school graduation, too. Supports the spread of charter schools and vouchers.

The Reality Check: Allen applauds his stance on school choice but frets that supporting schools means coddling school boards and unions. Ensuring more kids graduate from high school is a good idea, says Toch, but how exactly do you do that?

Grade B+

* * *

SOURCE:  Newsweek Magazine

* * *


Sent to Membership 2/6/08
President's Budget Released
 

President Bush yesterday  sent his FY 2009 budget request to Congress, beginning the yearly appropriations process for, among many things, the nation's cultural agencies and programs, including the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), Office of Museum Services (OMS), Corporation for Public Broadcasting (CPB), and the Department of Education's Arts in Education programs.  Because drastic cuts are being proposed for some key arts programs, we urge you to write your members of congress and tell them to reject the President's budget cuts.

For the eighth consecutive year, the President's budget has eliminated funding for the Department of Education's Arts in Education programs, which include funding for model arts programs and collaborations with schools, teacher professional development, and arts programs for at-risk youth. Arts literacy is as central to an educated citizenry as are reading, math, and science. The Administration needs to understand the role of arts education in developing an innovative and creative society.


Music education advocates can make their voices heard by writing or calling their Members of Congress and urging them to increase funding for music education and the other arts by restoring designated monies for arts in education programs in the FY 2009 budget.

TWO MINUTES is all it will take to tell congress that you support the Arts and Arts education.  Go to the Americans for the Arts E Advocacy Center web site at:

http://capwiz.com/artsusa/home/

Click under the words Federal: President's Budget Released and follow the simple directions.  In the time it took you to read this email message you will have sent an important email to your legislators!


 
Sent to Membership 10/4/07
Music Teacher Wins 2007 PA Teacher of the Year


Congratulations to David Woten, Jr  for this honor!  All music advocates should take special note of what the AP reporter writes in the last two sentences of this press release.  - - RV

* * *
Music teacher wins 2008 PA Teacher of the Year       
By MARTHA RAFFAELE  AP Education Writer
 
HARRISBURG, Pa. - A Pittsburgh-area middle school teacher who dramatically increased student participation in his school's music program during his career was named Pennsylvania's 2008 Teacher of the Year on Tuesday.

David Woten Jr., 38, who teaches in the North Allegheny School District, was selected from a field of 12 finalists. He will represent Pennsylvania in the national Teacher of the Year competition in Washington, D.C., in the spring.

The Carson Middle School teacher oversees the sixth- and seventh-grade chorus and teaches eighth-grade general music. He said he was inspired to become an educator by teachers he had as youngster in the Ambridge School District, and that he chose music because he recognized it was his strongest talent.

"It was something I was successful at early," Woten said.

Woten earned a bachelor's degree from Slippery Rock University in 1991 and a master's from Duquesne University in 1996. He has spent his entire 16-year teaching career at the middle school, where the number of students enrolled in the sixth and seventh grade music elective classes has grown from 35 to more than 250 during his tenure.

Woten was nominated by middle school principal Brian Miller, who said he also plays a key role as a mentor to new hires and to student teachers who are assigned to his classroom.

"His impact on learning is incredible," Miller said.

One of his former students, Amy Mencini, recalled that on her first day in his classroom, Woten greeted students with a song and a huge smile as he stood by the doorway.

He kept a positive attitude, even when students were having a bad day or struggling to learn a difficult composition, said Mencini, now a 16-year-old high school sophomore.

"Being the wise teacher that he is, he used his energetic ways and creativity to help a large group of kids, all at different levels of musical talent, to achieve what we thought were unattainable goals," she said.

In the classroom, Woten said he tries to go beyond merely teaching music and help students relate what they learn to other subjects and to life skills they will need to succeed.

Woten said he tells parents that if their children "can stand up and sing alone in front of their classmates, going to a job interview's easy."

* * *
Richard Victor
Advocacy Chairperson, Pennsylvania Music Educators Association (PMEA)
Voice: (814) 466-6768

 


Sent to Membership 9/5/07

Subject: NCLB: The President's proposal
Date: Tue, 4 Sep 2007 17:25:30 -0400
From: Richard Victor <rdv11@scasd.org>
   

Editors Note: Following is the complete, just-released statement from the U.S. Department of Education announcing President Bush's reauthorizaion proposal for No Child Left Behind.  By taking note of what is included in this statement, we can determine where the administration will focus their attention.  It looks like "Incentive Pay" ( a new way to say Merit Pay) tied to test scores, and "Promise scholarships" (an updated version of School Choice) will be their main talking points.  Neither aligns well with the future of music education.&nbs p; On the other hand, the final sentence gives us the opportunity to advocate for the inclusion of music in the new legislation by virtue of music's ability to impact the dropout rate and prepare students for success in the global marketplace - - RV

* * *
PRESIDENT SEEKS TO BUILD ON LAW'S RESULTS
NO CHILD LEFT BEHIND UP FOR RENEWAL THIS FALL

In September, congressional committees are expected to begin significant work on reauthorizing the No Child Left Behind Act (NCLB). Through continued bipartisan support, President George W. Bush is looking to improve on provisions of the law that have drawn concern while strengthening those measures that already have proven successful in the nation's schools over the last five years. According to recent data from the National Assessment of Educational Progress, achievement gaps in reading and math between African-American and Hispanic nine-year-olds and their white peers have fallen to all-time lows.

"The economy is going to demand brain power as we head into the 21st century; therefore, now is the time to make sure that our fourth-graders can read, write, and add and subtract, that our eighth-graders are more proficient in math, and that when you graduate from high school, your diploma means something. The best place to start is to measure. And when you see a problem, fix it before it's too late," President Bush said at the American Legislative Exchange Council in July, referring to NCLB's requirements for annual testing in grades 3-8 and once at the high school level.

The president's reauthorization proposal, Building on Results, maintains the law's accountability system of state standards and assessments for working toward the goal of every child reading and doing math at grade level by 2014. Meanwhile, it would introduce a number of teacher and parent initiatives in response to concerns expressed since the original legislation was enacted in 2001, including: the Teacher Incentive Fund, which would seek to reward educators who make progress in raising student achievement; and Promise scholarships to afford private school choice, inter- public school transfers or intensive tutoring for low-income families with students in schools undergoing restructuring.


The proposal also puts a greater emphasis on high school graduation in response to the nation's high school dropout crisis, by requiring states to report a more accurate graduation rate and to work with colleges and businesses to better align the high school curriculum with the requirements of higher education and employers.

* * *
SOURCE: The Acheiver, September / October 2007  www.ed.gov/news/newsletters/achiever/2007/0907.html#1
* * *
Richard Victor
Advocacy Chairperson, Pennsylvania Music Educators Association (PMEA)
Voice: (814) 466-6768

 


Sent to Membership 3/20/07
Advocacy Article
Subject:        Music Training 'Tunes' Human Auditory System
Date:   Sun, 18 Mar 2007 11:35:51 -0400
From:   Richard Victor <rdv11@scasd.org>

EDITOR'S NOTE: Here is an article recently distributed by the Council for Exceptional Children to their list serv - - RV

* * *

Music Training 'Tunes' Human Auditory System

A newly published study by Northwestern University researchers suggests that Mom was right when she insisted that you continue music lessons -- even after it was clear that a professional music career was not in your future.

The study, which will appear in the April issue of Nature Neuroscience, is the first to provide concrete evidence that playing a musical instrument significantly enhances the brainstem's sensitivity to speech sounds. This finding has broad implications because it applies to sound encoding skills involved not only in music but also in language.

The findings indicate that experience with music at a young age in effect can "fine-tune" the brain's auditory system. "Increasing music experience appears to benefit all children -- whether musically exceptional or not -- in a wide range of learning activities," says Nina
Kraus, director of Northwestern's Auditory Neuroscience Laboratory and senior author of the study.

"Our findings underscore the pervasive impact of musical training on neurological development. Yet music classes are often among the first to be cut when school budgets get tight. That's a mistake," says Kraus, Hugh Knowles Professor of Neurobiology and Physiology and professor of communication sciences and disorders.

"Our study is the first to ask whether enhancing the sound environment -- in this case with musical training -- will positively affect the way an individual encodes sound even at a level as basic as the brainstem," says Patrick Wong, primary author of "Musical Experience Shapes Human Brainstem Encoding of Linguistic Pitch Patterns." An old structure from an evolutionary standpoint, the brainstem once was thought to only play
a passive role in auditory processing.

Using a novel experimental design, the researchers presented the Mandarin word "mi" to 20 adults as they watched a movie. Half had at least six years of musical instrument training starting before the age of 12. The other half had minimal (less than 2 years) or no musical training. All were native English speakers with no knowledge of Mandarin, a tone language.

In tone languages, a single word can differ in meaning depending on pitch patterns called "tones." For example, the Mandarin word "mi" delivered in a level tone means "to squint," in a rising tone means "to bewilder," and in a dipping (falling then rising) tone means "rice." English, on the other hand, only uses pitch to reflect intonation (as when rising pitch is used in questions). As the subjects watched the movie, the researchers used
electrophysiological methods to measure and graph the accuracy of their brainstem ability to track the three differently pitched "mi" sounds.

"Even with their attention focused on the movie and though the sounds had no linguistic or musical meaning for them, we found our musically trained subjects were far better at tracking the three different tones than the non-musicians," says Wong, director of Northwestern's Speech Research Laboratory and assistant professor of communication sciences and disorders.

The research by co-authors Wong, Kraus, Erika Skoe, Nicole Russo and Tasha Dees represents a new way of defining the relationship between the brainstem -- a lower order brain structure thought to be unchangeable and uninvolved in complex processing -- and the neocortex, a higher order brain structure associated with music, language and other complex processing.

These findings are in line with previous studies by Wong and his group suggesting that musical experience can improve one's ability to learn tone languages in adulthood and level of musical experience plays a role in the degree of activation in the auditory cortex. Wong also is a faculty member in Northwestern's Interdepartmental Neuroscience Program.

The findings also are consistent with studies by Kraus and her research team that have revealed anomalies in brainstem sound encoding in some children with learning disabilities which can be improved by auditory training.

"We've found that by playing music -- an action thought of as a function of the neocortex -- a person may actually be tuning the brainstem," says Kraus. "This suggests that the relationship between the brainstem and neocortex is a dynamic and reciprocal one and tells us that our basic sensory circuitry is more malleable than we previously thought."

Overall, the findings assist in unfolding new lines of inquiry. The researchers now are looking to find ways to "train" the brain to better encode sound -- work that potentially has far-reaching educational and clinical implications. The study was supported by Northwestern University, grants from the National Institutes of Health and a grant
from the National Science Foundation.

Note: This story has been adapted from a news release issued by Northwestern University.

SOURCE: sciencedaily.com 
 



Sent to Membership 2/26/07
Advocacy Article
EDITOR'S NOTE: Here is an editorial which appeared Sunday in my local newspaper - the Centre Daily Times.  Hopefully, editorials and articles such as this one have appeared and will continue to appear in newspapers throughout the state.  If a good advocacy article or editorial appears in your local newspaper and is reprinted online, then please send me an email with a link to that article so I can share it with everyone on the Advocacy network. - - RV

Richard Victor
PMEA Advocacy Chairperson
rdv11@scasd.org

* * *

It's time to leave this act behind
Sunday, Feb 25, 2007

By 2014, the United States should have the best test-taking students in the industrialized world as a result of the centerpiece of the Bush administration's educational policy, the No Child Left Behind Act.

But problem solvers, creative thinkers, artists and musicians? Sorry, there just isn't the time to develop them.

The quest for accountability and establishing minimum standards for all students has forced educators to "teach to the test."

Flexibility, creativity, inspiration? There just isn't time.

Nor is there the money that is needed -- desperately in many school districts -- to ensure that the mandated standards are met.

Special reading and math programs aren't free. Nor are they funded by the federal law that makes them necessary.

So local administrators are left with a choice, which really isn't a choice at all: raise taxes even higher (unlikely or impossible) or rob Peter (in this case, art, music, physical education and other subject areas that help develop well-rounded, creative, adaptive problem solvers) to pay for Paul's (or Uncle Sam's) mandates.

The goals behind No Child Left Behind were, and remain, laudable: raising the level of achievement for all students, reducing the achievement gap between whites and minorities, improving failing school districts and holding everyone in the educational process accountable.

Five years in, however, the act has yet to prove its effectiveness. Two federal reports released last week indicate that students may be earning more credits, taking more challenging courses and getting better grades, but high school seniors are still doing poorly on national math and reading tests.

The gap in reading scores between whites and minorities is relatively unchanged since 2002.

The Bush administration wants to add more testing. What is needed, however, is more teaching.

Let the teachers teach. That is what they are trained to do. That is their passion, the reason they went into education: to help awaken young minds, not to help kids prepare for the Pennsylvania System of School Assessment Tests year after year after year.

But what choice do today's teachers have? Districts that don't meet the standards set in Harrisburg or Washington -- arguably, the districts that need the most help -- are punished. They get less of what they need -- money and resources -- and more oversight.

We're from the government and we're here to help -- to help show you how to take tests.

Not every school district is the same. The State College Area School District bears little resemblance to one in, say, Plano, Texas. It may not have all that much in common with its neighbors adjacent to or within Centre County either.

It seems short-sighted to impose a one-size-fits-all standard on young minds.

That is what our schools, ideally, should be developing: Young people who can contribute to and better our society, not those who are capable of passing multiple-choice and essay tests, not No. 2 pencil-wielding automatons.

And just as soldiers on the ground know more about what they need to succeed than do the stateside planners in the strategy room, so do the teachers know -- much more so, than the politicians -- what is required in the classroom.

Let them teach.

Let local administrators administer -- real education, not just tests.

The No Child Left Behind Act has been put to the test and found wanting.
It's time to get much more creative.

SOURCE: centredaily.com



Sent to Membership 2/15/07
Grammy President Hits a High Note for Music Education
Subject: Grammy President Hits a High Note for Music Education
Date:     Mon, 12 Feb 2007 14:59:36 -0500
From:     Richard Victor <rdv11@scasd.org>

Editors Note: Grammy President Neil Portow gave this speech at last night's Grammy Awards.  Please take a minute to follow up his wonderful speech by sending an email to Governor Rendell and your local state representatives.  Just click on the link below.  It will only take you a few minutes!  - - - RV

* * *

Grammy President Hits a High Note for Music Education

Neil Portnow, Recording Academy President, took to the stage of the 49th Annual Grammy Awards to ask the country to take a stand for music and arts education.

What if the GRAMMYs had to give up the Best New Artist category because there weren't any? Well, as long as The Recording Academy has anything to say about it, that's not going to happen! Tonight, we've already met some of this year's remarkable Best New Artist nominees, and in a few minutes, we'll see a fresh new face experience her "ultimate" GRAMMY Moment provided by The Academy.

When I was just 6 years old, I watched Elvis on TV, and knew what I wanted to do with my life. And thanks to my parents and the dedicated music teachers at school, I realized my dream of a career in music. Now, we need to make sure that others have that same chance.

Let me show you exactly what I'm talking about. Meet Anne Lee, a very talented 15-year-old public school music student, and Christian Sands, a 17 year old who won a spot in our GRAMMY Jazz Ensemble.

Our GRAMMY Foundation programs like GRAMMY in the Schools and GRAMMY Camp teach and encourage thousands of kids who love music, and whose lives are better for it. This underscores the most fundamental point - every child deserves exposure to music and the arts in school!

There are some encouraging signs out there. Just this year, The Recording Academy and the music community rallied their forces here in California to reverse the trend of reduced funding. The result: more than 100 million dollars for music education with millions more for instruments in schools.

The time is now to contact your elected leaders. Tell them that music is just as essential to the next generation's development as any other subject. We'll make it easy for you - go to GRAMMY.com. We'll connect you directly to your representatives so your voice can be heard.

You're here - or out there - because music is an important part of your life. Together let us all ensure that music stays just as vital and alive for generations still to come.

Lend your voice to the effort here!
<http://www3.capwiz.com/grammy/issues/alert/?alertid=9325291&type=ml
(link to grammy. com)
Source: The Recording Academy



Sent to Membership 2/7/07
Post Gazette Advocacy Article
Kate Pielemeier is a Coro Fellow and is spending four weeks at the Post-Gazette as a staff writer. Click on the link below to read her article from Wednesday's edition of the Pittsburgh Post-Gazette entitled, "Human resource experts say workers could benefit more from art than from math and science."  Then, pass it on to your administrators!

        Click here to view the article from 2/7/07



Sent to Membership 1/23/07
Advocacy Information from State Chair
Click on the following files to view articles sent to our membership from State Advocacy Chair Richard Victor.  The first is an article, then the text of an e-mail about Act 1, followed by a spreadsheet referred to in the Act 1 e-mail.

Article: "Joining Children in Sweet Harmony"
E-mail from R. Victor: Act 1 Information
Act 1 Spreadsheet